Editing
- Corporate films
- Interviews
- Events
- Training content
- Testimonials
- Social content
Corporate Video Post-ProductionBeautiful Edits. At Any Volume.
One film or one hundred. Finished properly.
Film Me is a corporate video post-production company for organisations and agencies with a lot to finish. Film Me handles editing, versions, languages, captions and delivery, from a single film to hundreds of files, led by Executive Producer Rupert Chesman, with senior review of every deliverable.
- 20Years of corporate video
- 30+Countries worked in
- MultilingualAs standard
- KPMG, Thomson Reuters, SAP, Toyota, ChanelClients include
Film Me at a glance
- Founded
- 2008, Dubai
- Led from
- Sydney, Australia
- Led by
- Rupert Chesman, Founder & Executive Producer
- Specialism
- Large-scale and multilingual video editing
- Works with
- Corporate teams, agencies and L&D teams
- Languages
- English, Japanese, Arabic, French, Vietnamese, Indonesian and others
- Clients include
- KPMG, Thomson Reuters, SAP, Toyota, Chanel, Swarovski
- How projects start
- With a pilot batch
Why teams outsource video editing
The shoot is finished. The real work has just started.
One film becomes twelve cutdowns. Twelve become three ratios, four languages and two caption styles.
Your team did not plan for two hundred files, and the deadline has not moved. Film Me exists for exactly this moment: when there is more to finish than your editors can comfortably take on.
Edits Piling Up
Your team has more footage than it has editing days.
One Film, Many Versions
Every film now needs cutdowns, ratios, captions and languages.
Training Libraries
Dozens of modules that must look and sound like one series.
Agency Overflow
You need more capacity without handing over the client.
Quality at volume
The hundredth video gets the same care as the first.
Film Me keeps quality level across large programmes in three ways.
- A locked master style
- The look, graphics, sound and specification are designed, approved and locked during the pilot, then applied to everything.
- The Film Me Finish
- Every file is checked by a person against five headings: story, picture, sound, brand and technical.
- One person accountable
- You commission the work through Rupert Chesman, and every deliverable passes senior review before it leaves.
You commission the work through me, and nothing leaves until it has passed senior review.
The case for commissioning in volume
Volume is not a compromise. It is how consistency happens.
One Look, Decided Once
A master style is designed, approved and locked, then applied to everything. Eighty videos look like one series, not eighty jobs.
One Brief, One Review Rhythm
You explain your brand once. Feedback comes in batches on a fixed schedule, not in eighty email threads.
Quality Rises Through The Run
The same team learns your speakers, product names and preferences. Video 40 is better than video 4.
Cost Per Video Falls
Setup, templates and graphics are built once and shared across the whole programme.
One Person Answers For It
One contact, one tracker, one invoice trail, from the first file to the last.
How many files is a video project, really?
One project. Ninety files. One partner.
One master film plus four cutdowns makes 5 edits. In 3 aspect ratios, 3 languages and 2 caption options, that is 5 × 3 × 3 × 2 = 90 finished files.
Film Me names, checks and delivers every one of them in a structure your team can use.
- 1 master filmThe approved film
- 5 editsMaster + 4 cutdowns
- 15 files× 3 aspect ratios
- 45 files× 3 languages
- 90 files× 2 caption options
How to start a large editing project
Start with a pilot. Approve the standard. Then we scale it.
Every Film Me volume programme begins with a pilot batch, so you see the finished standard before you commit to the rest.
- Pilot
The first one to three videos are taken all the way to finished, approved masters.
- Lock
Style, templates, sound and specification are locked from real material, and the quote is confirmed.
- Scale
The rest is delivered in batches on an agreed schedule, to the standard you approved.
What Film Me does
Post-production built around real workloads.
Volume Programmes
- Multi-video programmes
- Repeated formats
- Training libraries
- Campaign rollouts
Versioning
- Cutdowns
- Aspect ratios
- Duration variants
- Regional variants
Localisation & Captions
- Multilingual edits
- Subtitles
- Captions
- Translated graphics
Motion, Colour & Sound
- Titles
- Lower thirds
- Motion graphics
- Colour
- Audio
- Finishing
Delivery & QC
- Quality control
- Export management
- Naming & structure
- Archive preparation
Multilingual video editing and localisation
Post-production in the languages your audience speaks.
Film Me edits and localises video in English, Japanese, Arabic, French, Vietnamese, Indonesian and many other languages.
AI can draft a translation. At Film Me, captions and on-screen text are checked by people who can read them.
Video localisation at Film MeHow Film Me uses AI
AI augments. It does not replace.
Of course AI enhances our workflows. In 2026 it would be strange if it did not.
It transcribes interviews, makes hours of footage searchable, drafts captions and catches technical errors, so our editors spend their time on the edit itself. It never replaces human judgement. People choose the story, the takes and the tone, and a person checks every file.
And AI-generated video? We make it, and we watch it closely, but for most corporate work it often isn’t there yet. Your people, products and places need to be real, and right.
Film Me is led by Rupert Chesman, who also teaches AI to executive teams. So our view of AI is practical, not promotional.
How Film Me uses AI, in full
| AI helps with | People decide |
|---|---|
| Transcribing interviews and making footage searchable | What the story is |
| First drafts of captions and subtitles | Pacing, tone and emotion |
| First-pass translation, for a human to review | Whether a translation is right for the audience |
| A first-pass technical check of every file | Final review and sign-off of every file |
Case studies
KPMG KICC: more than 20 videos in 4 days, in four cities.
Film Me worked with KPMG for five years on its KICC project, where students fly in from around the world to compete. A Film Me team of editors and videographers created more than 20 videos in 4 days, at events in Dubai, Buenos Aires, Kuala Lumpur and Lisbon.
- 20+Videos created
- 4Days on the clock
- 4Host cities
- 5Years with KPMG
And for Art Dubai, Film Me made 83 videos in 4 days. That was over a decade ago, long before AI tools existed. Preparation made it possible then, and it still does. Film Me has also produced work for Thomson Reuters, SAP, Toyota, Chanel, Swarovski, Julphar, MEPCO and Alkhorayef Water & Power Technologies.
See how we’d handle yours
White-label post-production for agencies
Your client. Your relationship. Our editing.
Film Me provides discreet white-label editing for agencies and production companies that need more capacity.
We work under your brand, follow your creative direction and review process, and never approach your clients. You keep the client and the credit. We help you deliver the work.
Talk About OverflowFreelancer, agency, offshore, in-house or Film Me?
How Film Me compares.
| Option | Typical strength | Typical limit at volume | How Film Me differs |
|---|---|---|---|
| Freelance editor | Personal, affordable | One person, no cover, little process | Managed team and pipeline; one accountable Executive Producer |
| Large production company | Full service | Overhead, account layers, price | Lean specialist; you deal with the person in charge |
| Offshore editing service | Low cost, many hands | Quality, language and brand understanding vary | Senior craft, published quality standard, pilot first |
| In-house hire | Knows the brand | Fixed cost, slow to recruit, idle in quiet months | Capacity that rises and falls with the work |
| Automated AI editing tools | Fast, cheap | Generic results; no judgement, no accountability | AI for the routine parts; people for the decisions |
Questions buyers ask
Before you commission a large edit.
Will quality drop by video sixty?
No. Film Me locks a master style during the pilot, checks every file against the five headings of The Film Me Finish, and puts every deliverable through senior review. The same team stays on the programme, so they learn your speakers, product names and preferences. Video sixty is usually better than video six.
What if we do not like the first one?
That is what the pilot is for. The first one to three videos are taken to finished masters before the rest of the batch begins. You see the real standard, we adjust until you approve it, and only then does Film Me scale it.
Do you use AI?
Yes, of course. AI helps Film Me with transcription, searching footage, caption drafts, routine technical work and first-pass checks. It does not make creative decisions, and a person checks every file. AI augments our editors; it does not replace them.
Will my video be AI-generated?
No, unless you ask for it. AI-generated video often isn’t there yet for corporate work, where your people, products and places need to be real and right. If Film Me thinks a generated shot would help, we will suggest it and use it only with your agreement.
Do you take on bulk video editing?
Yes. It is what Film Me is set up for. Programmes of ten to several hundred videos and versions are planned against a deliverables matrix, quoted as a whole and delivered in batches.
Start a Conversation
Have a Lot to Finish?
Tell us what you are making, how many files you need and when. You will hear back from Rupert, not a sales team.